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The work for two pianos of two friends-composers was created 'in correspondence'. Vladimir MARTYNOV (Russia) and Georgs PELECIS (Latvia) sent each other letters with scores of the new parts of the work, which developed and added the initial musical idea. They played and recorded it on May 21, 2002 on two excellent Steinway grand pianos at Tchaikovsky Concert Hall in Moscow.
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16 Neubearbeitungen von Brecht/Eisler Liedern! Von Eisler im Exil geschrieben, hierzulande weitgehend unbekannt und nun aus verstaubten Regalen ans Tageslicht geholt durch ARBEIT in neuer, eigener Ästhetik und in zeitgemäß populärer, aber auch experimenteller Form interpretiert.
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Our 17 billion years old universe is a huge "organ" invented by Jehova. To learn the harmony of the musical instrument of the universe and to make it heard to the people is MY mission. (Urmas Sisask)
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What kind of inferno are the musicians talking about?
The profane one we all experience day after day? Or is “inferno” meant to be a metaphor for the freedom of the improviser? Are they blowing it out or are they blowing it off? Or are they cancelling it because it is not going to happen? Or could it be a persiflage on the slippery music business that both musicians have gained experience with from various points of view? more... |