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What kind of inferno are the musicians talking about?
The profane one we all experience day after day? Or is “inferno” meant to be a metaphor for the freedom of the improviser? Are they blowing it out or are they blowing it off? Or are they cancelling it because it is not going to happen? Or could it be a persiflage on the slippery music business that both musicians have gained experience with from various points of view? more... |
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Chekalin’s music is nearly impossible to pigeon-hole. New classical, timeless avant-garde, literally stunning works of darkly textured ambient soundscapes, mixed with dynamic symphonic rock-influenced tone poems that echo old European classicism.
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